Upon arriving for the shows, Gaye claimed he hadn’t been paid, resulting in the promoter having to repay him and losing money along the way. In 1999, a Dutch resident was interviewed by the Bureau after he sent a tape to Houston with a song of hers he claimed to have written, but he denied any threatening letters.Ī fairly brief and enigmatic six-page file is centered around two concerts Gaye gave in Virginia (in Richmond and Norfolk) in 1977. to several publications.” Since the case was not deemed a federal crime, the Bureau chose not to pursue it. In 1992, Houston was the subject of a failed blackmail attempt by an unnamed lawyer who first demanded $100,000, then $250,000, claiming he would “ reveal certain details of the private life …. In 1988, the agency investigated an obsessed fan who wrote numerous letters to Houston, one claiming he “might hurt someone with some crazy idea.” The letters were passed along to the FBI, who contacted the letter writer the person in question claimed he only wanted to “elicit a response” from her. In 2013, the Bureau released a 128-page file on Houston that touched on several inquiries. Of the most recent and decipherable files, here are the FBI’s own greatest hits on pop acts beyond the Monkees. Others show how the FBI was either tracking certain musicians or looking into possible investigations (for example, a dozen-plus pages about supposed incidents of “civil unrest” at Kiss concerts). Some (like those on the Monkees, Grateful Dead, and Marvin Gaye) are brief and majorly redacted. ![]() ![]() But over the last decade, the Bureau has periodically declassified a number of existing files. In his research, Leonard learned that files on seminal Black artists Sam Cooke, Richie Havens, and Nina Simone have been destroyed.
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